I’m excited to share an excerpt from When the Moon was Ours by Anna-Marie McLemore, which releases on the 4th of October.
About the book
To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches. Now they want the roses that grow from Miel’s skin, convinced that their scent can make anyone fall in love. And they’re willing to use every secret Miel has fought to protect to make sure she gives them up.
Embedded in the love story, Sam faces how to claim his identity as a transgender boy, and Miel and Sam struggle with how to define their love, both to themselves and their community. McLemore tackles this relevant issue thoughtfully, coming from her own experience in her relationship with her husband, who is transgender. McLemore’s recently told Publisher’s Weekly, “at the heart of this book is my belief that transgender characters, queer characters, characters of color, deserve fairy tales”, and WHEN THE MOON WAS OURS conquers timely topics like race and gender while delivering an unforgettable, timeless love story.
Filled with roses, glass pumpkins, and magical moons, WHEN THE MOON WAS OURS will sweep you away with its fairy tale feel. Following her fantastic debut novel, WHEN THE MOON WAS OURS will thrill readers of McLemore’s debut novel and establish a whole new group of admirers for this immensely talented young writer.
Click HERE to read the excerpt.
About Anna-Marie McLemore:
ANNA-MARIE MCLEMORE was born in the foothills of the San Gabriel Mountains and grew up in a Mexican-American family. She attended University of Southern California on a Trustee Scholarship. A Lambda Literary Fellow, she has had work featured by the Huntington-USC Institute on California and the West, CRATE Literary Magazine’s cratelit, Camera Obscura’s Bridge the Gap Series, and The Portland Review.